Poetry Book Review #12

Janeczko, Paul B., selector. Chris Raschka, illus. 2001. A poke in the i: a collection of concrete poems. Cambridge, MA: Candlewick Press.

In the "Notes from the Editor" to A Poke in the I: a Collection of Concrete Poems, Paul Janeczko writes, "Concrete poems are different from regular poems; in fact, they're a lot more playful...." This compilation of thirty poems is exactly that. Each poem is stylized, abstract and dramatic. Clever phrasing, spelling, font and shape all make these poems more interesting. Poetry is meant to be heard, but in this case, it is also meant to be seen. The verse is already visual then paired with illustrations by Chris Raschka, the works bound off the page appealingly.

The text on every page of this collection is distinctive. Each poem features a different size, style and shape of font that reflects the theme or subject of the poem. A perfect example of this is the opening verse "A Seeing Poem" by Robert Fronman. In it he is describing how poetry often works as a "light in someone's mind." This concept is further supported by the words themselves, which are manipulated to depict a light bulb. The font begins at one size, then flips around, gets bigger and at one point becomes large and segmented. The shapes cleverly play off the meaning of the words and the imagery they present. This roundabout relationship helps make this a dynamic attractive collection.

Because this style is so "playful," the poems themselves are often quite humorous. In "Tennis Anyone" by Monica Kulling, each line is placed on opposite sides of each page, forcing the reader to bounce back and forth in order to read it. This mimics the movements of spectators at a tennis match watching the ball, "Tennis/is a/game I/could watch/for hours/but my/neck won't/let me" (31). Not only does the reader then physically see the message of the poem, but in this particular case it can also be felt quite literally by the movement itself.

In some works, the wordplay is found in the verse and the title, such as Reinhard Dohl's poem "Pattern Poem with an Elusive Intruder." This poem features the word "Apfel" repeated over and over in the shape of an apple, while tucked away on the side is the word "Wurm." The imagery represented here is instant and familiar skillfully recreated with language. Aram Saroyan manipulates spelling and letter placement creating irresistible onomatopoeia. The poem begins with the title word, "Crickets," but then is manipulated by removing a letter, then adding it back. It is a way to play with the visual and the audible senses at the same time.

The artwork in this book is vivid, bright and energetic. Raschka uses bold colors and abstract design. He combines broad strokes with patterned pieces of fabric or paper taking a multi-media approach. Nothing is muted, contrived or conventional in these pictures. Skin colors range from blue to bright yellow to deep black. Patterns dominate each page filling them with detail, yet plenty of white space is left so as not to overwhelm. This only helps add to the liveliness of the works, supporting their upbeat nature.

Overall this collection is entertaining, highly enjoyable and vibrant. Because of the sophisticated play on words and the relationship to the shape of the poems, this collection may be more appropriate for older children. Janeczko carefully selects only poems that work on various levels appealing to the visual, audible and at times physical senses. The heightened awareness of the visual lends humor to the works along with the wording of the poems themselves. Raschka's abstract artwork only adds to the collection making it all the more appealing. Because theses poems work on so many levels, it is an ideal book to read over and over again.

Poetry Break #11

Introduction: Teenagers are very familiar with issues of self-consciousness. Girls especially are prone to self-loathing and tend to be uncomfortable with their body image. Becoming a teenager also involves social pressure to fit into predefined molds that can be very limiting. Discussing these issues can be difficult. Try introducing the topic by sharing this poem.

Perfect
by Kari Myers

Supermodel
Superway
Fix the mold
Don't break away
Perfect in the magazines
Perfect in your little dreams
Careful angel
Don't fall down
Fragile doll
Who's tied and bound
Perfect when you are 17
Perfect, so it seems
Plastic smile
Glossy eyes
No emotions, nothing to hide
Perfect in this scene
Perfect as your parents' beam
Honeysuckle
Babydoll
With your picture on my wall
You are everything I hate to see
You are everything I want to be

Karen, Tom and Kiki, eds. Matt Frost, illus. 2001. Planet Kiki's angst! teen verses from the edge. New York: Workman Publishing Company, Inc.

Extension: Discuss the different ways students feel pressured to be "perfect." Turn this into an art project by asking teens to illustrate their anxiety. Use old magazines to create collages that represent the various conflicting emotions they experience. Then ask them to add on to that collage things that make them feel happy. This final step is an effort to recognize that there will always be pressure to be something else in life and what is truly important is inner peace.

Poetry Book Review #10

Prelutsky, Jack. Peter Sis, illus. 2002. Scranimals. New York: Greenwillow Books.

Scranimals is a collection of nineteen poems by Jack Prelutsky, illustrated by Peter Sis that sets up a mythical place where hybrid beings: part animal, part plant, reside. Each creature has unique features that borrow from both sides of their family tree. Prelutsky's clever word play and vivid imagery are unforgettable in its inventiveness. The sheer silliness of many of the organisms makes these poems humorous and fun. Sis' artistry is detailed with subdued colors and realistic features incorporated throughout. Led by two young tour guides, this book is well organized presenting an entire universe populated with fantastical characters that is worth exploring.

What stands out immediately when first looking through this collection are the odd appellations for everything. Groups of "broccolions" hunt "antelopetunias," while "bananacondas" slink underfoot. Words like "toucanemones" and "hippopotamushrooms" are fun to sound out. Each page contains a pronunciation guide in case there is any question as to how a creature's name should be said. Prelutsky cleverly manipulates the names of existing flora and fauna, combining them in unusual ways to capture the characteristics of each imaginary animal.

Prelutsky continues to manipulate facts about each being combining them to describe the habits or actions of his subjects. A perfect of example of this lies in his description of the "Pandaffodil," "On a certain mountain meadow,/ If you're silent, if you're still,/ You may spy a single yellow, / Black, and white PANDAFFODIL./ You may even hear it yawning/ If the morning's just begun,/ Watch its petals slowly open/ To embrace the rising sun" (36). By combining two completely unrelated things, the colors of a panda and the anatomy and actions of a daffodil, Prelutsky infuses this poem with interest through wild imagination. This type of poem encourages abstract thought through concrete details.

In this particular collection, blending biology and imagination leads to delightful absurdity. It is almost like a punch line in a joke book. What do you get when you cross a radish and a shark? You get a creature whose sole thought, "Is to catch you and to bite you/ On your belly and behind" (29). What happens to an animal that is part potato and part toad when it sits by the road? "The day is hot, the ground is parched,/ And yet it sits as if it's starched" (12). Both of these verses manipulate common knowledge to make images that are ridiculous and entertaining. The rhythm and rhyme in each verse is also appealing.

Sis' artwork is detailed with soft, muted colors. Gentle pinks, blues, browns and greens dominate the pictures. Each page is filled with drawings not only of the beings themselves, but the landscapes which they inhabit. The organisms that are part bird are fanciful, yet eerie. The extremely accurate renditions of birds' heads sit awkwardly atop the rest of the body in the illustrations for "parrotters" and "cardinalbacore." However, this only invites further examination into the possibility of the bizarre. On the other hand, the "porcupineapple" and the "stormy petrelephant" are peculiarly charming. The boy and girl that serve as the tour guides for Scranimal Island are the most vibrant part of the illustrations on every page. It seems that Sis makes them most colorful in order accentuate their realness as opposed to their outrageously fictitious surroundings.

Scranimals is an incredibly appealing journey through a bizarre biological world inhabited by strange creatures. Prelutsky combines words, facts and fanciful imagery to form inspired poetry. Sis's renditions of the mythical animals perfectly support the verse. Together they create this universe that is instantly appealing and witty. Explorers of every age may enjoy this excursion.

Poetry Break #9

Introduction: This amusing poem from a dog's point of view repeats the refrain "Feed me, feed me,/I'm a chowhound!" Perfect for pairing with a discussion on pets, food or just for fun.

Chowhound
by Daniel Kirk

I know what kind
of dog I am:
the kind that lives
for steak and ham!
My tummy makes
a grumbling sound.
Feed me, feed me,
I'm a chowhound!

I like chicken
topped with cheese.
Serve me one more
portion, please!
Give me burgers,
gently browned.
Feed me, feed me,
I'm a cowhound!

Give me prime beef,
lamb, and rice.
A T-bone steak
would be so nice!
I like sausage,
fat and round.
Feed me, feed me,
I'm a chowhound!

Jerky, rawhide,
leather chews--
those are treats
that I can use!
In my bowl or
on the ground,
feed me, feed me,
I'm a chowhound!

Moist and meaty,
soft and chewy…
I'll eat it if it's
nice and gooey!
Slop that stew
in one big mound
Feed me, feed me,
I'm a chowhound!

Below the table
by the sink,
I've looked
everywhere, I think,
but crumbs and scraps
are all I've found.
Feed me, feed me,
I'm a chowhound!

I'm starving, Master,
look at me!
Don't make me
wait in misery.
Before I lose
a single pound,
feed me, feed me,
I'm a chowhound!

Kirk, Daniel. 2003. Dogs rule!. New York: Hyperion Books for Children.

Extension: Read the poem aloud once. Then ask the kids to say the repeating refrain at the end of each stanza when you read it aloud again. Try it a third time with the students barking after saying the refrain.

Poetry Review #8

Florian, Douglas. 1998. Insectlopedia. San Diego. Harcourt, Inc.

Douglas Florian creates a whimsical collection of insect verse and art in Insectlopedia. This collection of twenty-one poems describes the unique aspects of various insects and arachnids often highlighting their most known features. This makes the collection an ideal accompaniment to any science lesson. Florian expertly and concisely provides insight to insect existence. He takes unusual scientific aspects of each example and highlights it through rhyme, rhythm, and imagery. By exaggerating a characteristic he often infuses humor into the piece, therefore creating a memorable association that will reinforce scientific concepts to children.

In most of the poems, Florian uses a lyrical rhyming format skillfully, which will easily appeal to young children. In a few instances, he employs a concrete technique creating a shape with his words. In "The Whirligig Beetles," the poem creates a circle, while in "The Inchworm" the verse makes an arch, both examples imitating the insects' movement. Through his clever wordplay, Florian disseminates significant information about many of these animals. For example, in "The Termites" he explains why these tiny creatures build such tall mounds, "Our nest is/blessed to be/immense. It gives/us all a firm/defense, superior/to any fence./It shields us from our/enemies. It keeps us/cooler, by degrees./From floods and droughts/it guarantees." Shaping the actual poem like a tower, it serves to reinforce the physical shape of an actual termite mound.

Florian also employs powerful imagery to make connections between concepts. In "The Giant Water Bug," he describes how the female of the species glues eggs to the males back, "And on his back they stay./But does he ever get a card/Or gift for Father's Day?" By focusing on this unique characteristic, then pairing it with this humorous image, he is subtly emphasizing what makes the water bug scientifically significant. This technique is also demonstrated in "The Io Moth," where he suggests that the false eyes on the mammoth's body are actually used to repel science teachers. By infusing the fact with humor, Florian ensures that children truly appreciate the distinct qualities of each animal.

The illustrations in the collection are abstract, certainly not acceptable for true scientific observation. However, in many instances they are humorous, which would perhaps stand out in the mind of a child. Florian uses mixed media to create collages for each insect. He attempts to incorporate images that represent each sentiment described in the verse. A picture for each poem compliments the book well without taking away from the words. This colorful representation may not be realistic, but it is an inventive way to underline the uniqueness of each creature.

Florian successfully creates a collection of fun interesting poems about bugs. It is well organized and appropriate for a wide age range of children. By blending interesting facts, witty wordplay and unique art, this book will certainly attract young readers. All of the scientific detail makes it ideal for use with an entomology lesson. The humor and whimsy that permeate the collection will only make it more attractive to readers. It may also encourage further interest in the animals presented.

Poetry Break #7

Introduction: As spring approaches the outside world begins to transform. Flowers bloom, insects abound and the sun begins to stay out later and later. Celebrate the transformation from winter's chill to the light of spring with this fun poem by Douglas Florian. Make it more entertaining by acting out some of the words described in the verse.

The March Wind
by Douglas Florian

The March wind growls.
The March wind howls.
The March wind rattles
And skedaddles.
The March wind whips
And whirls and skips.
Through the larches
The March wind marches.

Florian, Douglas. 2006. Handsprings. New York: Greenwillow Books.

Extension: What better way to celebrate Spring than with a parade! If space allows or if the weather is fair, have the children form a line and march to the beat of the poem. Encourage the students to act out what the wind does in the poem. For a more memorable experience, hand out streamers, noise makers and whistles if available.

If space is limited, split the students up into several groups assigning each group a verse. Ask them to come up with a movement or sound that matches with their particular verse. Then have them recite the poem inserting their action or sound on their turn.

For older students, discuss the way the wind is personified in the poem. Ask for additional ways the wind may be described using this form.

Poetry Book Review #6

Sones, Sonya. 2001. What my mother doesn't know. New York: Simon & Schuster Books for Young Readers.

Sonya Sones young adult novel What my Mother Doesn't Know is told in verse from the perspective of Sophie, a fourteen-year old girl struggling to understand her world while trying to find the right boyfriend. Through the verse, Sophie describes the challenges of deciphering her feelings for various boys. She also tries to understand her parents and the effect that their sour relationship has had on her mom. Finally, she speaks candidly about everyday things from dealing with your period to staring at your favorite painting in a museum. Sones propels the narrative forward through the free verse poems. The story consistently features realistic situations and characters that are recognizable. Sones' confessional style provides an intimate glimpse into Sohpie's thoughts and emotions.

Novels written in verse form are excellent tools for disinclined readers because of their brevity. At only 259 pages, most of the poems are one page long making this a quick read. Poetry is also the perfect vehicle for the emotional upheavals that often accompany teen lit. In this story Sophie falls in and out of love three times, describes the difficult relationship she witnesses between her parents, and gives a sense of her own challenging relationship with her mother. Each of these experiences carries heavy emotional impacts that can frankly be described through poetry. A perfect example of this is in the poem "All I Want to Know Is" where Sophie is describing the immediate aftermath of a fight with her mom. The numb tone of her mother's voice makes her feel incredibly guilty, but seconds after the fight when the phone rings, her mother answers it sounding as if nothing is wrong. The poem ends with Sophie enraged imagining herself attacking her mother physically, "…slapping her so hard/across her face/that the shape of my hand/will leave a stinging print?" (Sones 148). Despite the succinct style, the complexity of emotions is always evident.

The poetry in this story is accessible. It is as if overhearing a conversation or reading a teenagers personal diary. A few poems are e-mails from Sophie's friends. There are several pop culture references mainly to television shows like "The Twilight Zone" or "From Martha's Kitchen." Sophie is a smart girl and though she may be trying to make sense of her confused mental state, she does know when someone has crossed a line. She immediately ends the relationship with her cyber boyfriend, Chaz, when he makes a shocking confession. In the poem "Culture Clash," she describes an awkward moment with her first boyfriend Dylan. After he asks her not to mention to his mom that she is Jewish, she cunningly replies "okay, but can I/tell her about/the HIV positive thing?" (Sones 74). Sophie has a wile way about her. She is strong and eventually learns not to be afraid to do what you feel is right.

Because of the female protagonist and the introspective nature of the poems, this novel may appeal more to girls than boys. Sophie is the typical teenage girl that is angry at her parents, in love with lots of boys and unfalteringly loyal to her friends. Her wit shines through the poetry making the most mundane situations interesting. Sones' talent in keeping the narrative moving while getting to the essence of emotion makes this a worthwhile read.

Poetry Break #5

Introduction: When poetry takes an usual shape, at times reflective of the poem's subject matter, it is considered a concrete poem. This particular poem is perfect to share on a rainy day especially if students ride to school in a car or bus. Be sure students can see what this poem looks like prior to reading.

Windshield Wiper
by Eve Merriam

     
      fog smog   fog smog
  tissue paper   tissue paper
clear the blear   clear the smear
 
      fog more   fog more
   splat splat   downpour
 
rubber scraper   rubber scaper
     overshoes   macintosh
   bumbershoot   muddle on
 slosh through   slosh through
 
     drying up   drying up
   sky lighter   sky lighter
  nearly clear   nearly clear
     clearing clearing veer  
       clear here clear  

Cullinan, Bernice E., ed. Andi MacLeod, illus. Portraits by Marc Nadel. 1996. A jar of tiny stars: poems by NCTE award-winning poets. Honesdale, PA: Boyds Mills Press.

Extension: Divide the students into two groups. Have one group read one side of the poem and the second group read the other side. Ask the students to read the final two lines all together. Create a beat that mimics windshield wipers by tapping your hand on a desk or your foot on the floor and have the students read the poem aloud to the beat. Start fast like the wipers are working hard during a downpour and slow down as the poem progresses following the clearing sky as described.

Poetry Book Review #4

Grimes, Nikki. Terry Widener, illus. 2000. Shoe magic. New York: Orchard Books.

Shoe Magic is a collection of poetry by the celebrated African American children's poet, Nikki Grimes. This book of sixteen poems begins with a rhyme about the shoe rack and ends, most appropriately, with a poem about slippers. These imaginative stanzas support the idea that the shoes make the person, in this case offering a new way to think about footwear. Grimes' makes the connection between shoes and life, encouraging children to explore their passions as future possibility. The colorful illustrations by Terry Widener perfectly depict the verse. Overall this is an attractive collection for the very young through elementary aged children.

The majority of poems found here are short rhyming verses that are straightforward in their meaning. The images presented are concrete making them easy to understand. Grimes infuses interest by interjecting multicultural elements including names such as Talisha, Salena, Lu and Yu. Through these details she breaks cultural stereotypes like in the poem "Talisha's Toe Shoes." Talisha dreams of becoming a ballerina, but she is acutely aware that she does not look like other ballerinas, "They scowl at me,/Determining/That I don't fit the norm" (Grimes 12). Despite this, she is confident that she will live her dream to dance in The Nutcracker and not only dance, but also blow people away with her talent, "My arabesque/Will be so fine/They'll redefine the word" (Grimes 12). Gender stereotypes are also challenged in the poem "Cleats" where Clarice dreams of being a football player even though she is a girl, "But the cleats don't care/If the socks I wear/Are fuchsia/And my real name is/Clarice" (Grimes 8).

Another characteristic of the poems is humor. Brandi is trying to figure out why her mother had her baby shoes bronzed. She decides that it is for one of two reasons. The first is for them to serve as a reminder that she is no longer a child, they become inspiration for her to grow. The other reason is not so positive, "Lucky for the rest of me/She ran out of bronze" (Grimes 18). Grimes' words are clever mimicking the smart, but playful response any observant child might provide.

Terry Wilder perfectly compliments the poetry with his fanciful artwork. Colorful and eye-catching, his depiction of these children is slightly out of balance, making it all the more interesting to look at. Limbs or objects are not drawn to scale creating a cartoonish quality to the illustrations. However, they are all appealing and pleasing. They contain a playful energy that generates curiosity. The poems sometimes take up a white page opposite the illustrations, at other times the words are printed right on top of the artwork. Either way, the pictures perfectly depict the subjects of the poems supporting the verses without overpowering them.

Grimes' short poems paired with Wilder's vivid artwork has created an excellent collection to browse and read out loud. Even younger children may enjoy listening to the rhyme absorbing the images presented. Older children may appreciate the perspective, recognizing how shoes can sometimes do magic simply by changing who you are. Though this change may only be temporary, it is the feeling you get when wearing the shoes that lasts.

Poetry Break #3

Introduction: The National Council of Teachers of English (NCTE) attempts to connect educators and children to poetry by supporting its publication and encouraging its use. Every three years they honor a poet for their contributions to children's poetry. Mary Ann Hoberman is the Award Winner for 2003. Her poem, Frog, is a fun read aloud because of all the descriptive and nonsense words used in the poem. It's the perfect accompaniment to a biology lesson on amphibians. Try reciting it fast first to imitate the quick movements of frogs. Reading it rapidly also accentuates the humor of the words. Then recite it a second time much more slowly so that students can comprehend the imagery.

Frog
by Mary Ann Hoberman

Pollywiggle
Pollywog
Tadpole
Bullfrog
Leaps on
Long legs
Jug-o-rum
Jelly eggs
Sticky tongue
Trick flies
Spied by
Flicker eyes
Wet skin
Cold blood
Squats in
Mucky mud
Leaps on
Long legs
Jug-o-rum
Jelly eggs
Laid in
Wet bog…
Pollywiggle
Pollywog.

Hoberman, Mary Ann. Betty Fraser, illus. 1998. The llama who had no pajama. San Diego: Browndeer Press.

Extension: For younger children, this poem can easily lead into a simple craft where strips of long green paper are accordion folded to become the legs on the frog. Cut out simple frog bodies that students can color or draw on. Then tape or glue the frog legs on to the body. Once everyone is finished, repeat the poem while the children make their frogs jump.

Challenge older children to write a poem about their favorite animal starting and ending in the same way, like this poem. Ask that they keep each line to only one or two words. Encourage them to experiment with fun word pairings or to make up words of their own. Have them illustrate their work and create a display for your library or classroom.

Poetry Book Review #2

Hopkins, Lee Bennett, ed. Philip Stanton, illus. 2006. Got geography! New York: Greenwillow Books.

Got Geography!, a selection of poems put together by Lee Bennett Hopkins, presents various verses having to do with earth science. Sixteen different concise poems by fifteen different poets cover a wide variety of topics dealing with the earth's surface such as volcanoes and the ocean. The majority of these poems are concrete. All of the works featured are by established writers like Carl Sandburg or Jane Yolen. Richly illustrated by Philip Stanton, this collection is an eye catching book that would accompany a geography lesson well.

Poetry is an excellent way to make a usually static scientific subject come alive with imagery. This idea is exemplified in "For Forest" by Grace Nichols, "Forest tune in every day/to watersound and birdsound/Forest letting her hair down/to the teeming creeping of her forest-ground" (18). This image of these clumps of trees listening to the noise of its inhabitants like the music of a radio then relaxing to it is delightful. Along with imagery, an assortment of poetic devices is used. Free verse, rhyme and humor are just a few that are represented. Humor permeates "If I Were the Equator" by Kathryn Madeline Allen, "If I were the equator/I would have an attitude./I'd boast the most about my no degrees of latitude" (9). The thought of this imaginary line that surrounds the globe posturing is quite amusing. Plus it presents a lighter side of this subject not usually revealed.

All of these poems are definitely geared towards older school children because they have some understanding of the physical planet we inhabit. Bennett does an excellent job organizing the pieces. He begins with themes of having to find your way. Towards the middle the subjects get more specific while the poems contain a sense of understanding and adventure about the world around us. Carl Sandburg provides a deft conclusion in "Lines Written for Gene Kelly to Dance To." Overall, the poems are sensibly arranged, fit the theme and go well together.

Stanton's artwork immediately commands attention causing the collection to stand out. Deep colors permeate every corner of the page. Bright blues and deep greens dominate with absolutely no blank spaces. They evoke a very happy idyllic feeling, which works well with the poetry. His depiction of people and animals are mostly realistic with just a hint of caricature. These illustrations are filled with energy that seems to ooze off the paper. Again this aids in defining a more dynamic side to a subject often considered tedious. Because these images are so impressive, they at times command more attention than the poems. However, the artwork matches each verse well even if the art is what is noticed initially.

Ultimately, Bennett has created an excellent collection for educators. Because the theme is a specific school subject, it may at first, have a limited appeal to children. However, once a student sees the rich pictures and skims the contents, it is easy to imagine they would be eager to explore this collection.

Poetry Break #1

Introduction: Almost Late to School and More School Poems is a collection of fun, humorous poems for elementary aged children. In "After School," the classroom comes alive at night after everyone goes home. Through personification of inanimate objects and the clever use of wordplay, lively images are created. The couplets with ending rhyme make the poem rhythmic, so perfect for a read aloud. Because it is set in school, kids will easily relate and identify the subject matter. The funny play on words will keep their attention. Before reading this poem, try asking the kids if they ever notice their things are out of place when they arrive at school in the morning. Ask them if they ever wonder why that is.

After School
By Carol Diggory Shields

Do you know what happens in school at night
When the teachers all leave and turn out the light?

The math books count out, "3,2,1!"
Then the clock on the wall shouts, "Time for fun!"

The erasers start to race around the floor.
The rubber stamps stamp right out of the drawer.

The scissors cut up, and the stickers peel out.
The paper clips twist, the globe spins about.

The flag waves, "Bye-bye! Don't be late!"
As the wall calendar goes out on a date.

The telephone gives the map a ring.
The ruler gets bossy and acts like a king.

The glue sticks together and the pencils point,
Till the class bell clangs, "Clean up this joint!"

So if something in your desk doesn't look just right,
Maybe it's because of what happened last night.

Shields, Carol Diggory. Paul Meisel, illus.2003. Almost late to school and more school poems. New York: Dutton Children's Books.

Extension: Discuss the different images presented in the poem picking up on why or how the play on words works. Encourage the students to come up with some clever stanzas of their own using different objects or things not mentioned in the poem. For example, numbers could count themselves out or chairs could have a seat. Ask the kids to illustrate their creations or pick their favorite stanza of the original poem and illustrate it.

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Thanks for visiting poemsforkids! This blog has been created specifically for a Poetry for Children course at Texas Woman's University. Please feel free to explore and enjoy.